SKULL278

SUPREME LORD / CHTON – Two Tales of Terror split (2003, Time Before Time)

The skull:
Stark and bleak, this skull seems to be deteriorating into the black…it won’t be long before he’s dust. He looks forlorn, as if knowing his fate, made that much sadder because, although at one time he was a robust, strong specimen of a skull with great vigor and ambition, all he got was this gig on a split cassette pressed in a mere 333 copies. “I guess we can’t all be that Krokus skull,” he wearily laments.

The music:
We’ve already covered the music of Norwegian band Chton with Skull186, and their music remains pretty much the same on this cassette: both “Book of Black Earth” and “Crawling Chaos” were on that album, so there’s no need to go into it here, although I will say I enjoy their ultra-ugly old-school death metal sound, which works in an area of corrupted, unhealthy noise a la Rottrevore and some of the early Finnish death metal bands… but I’m not fully committed to them either. A passing listen is fine enough. Poland’s Supreme Lord are of the typically high musical standard as many other of their countrymen, but you’ll probably only get into them if you’re needing more Deicide-meets-Immolation-meets-Morbid Angel worship. Yep, Supreme Lord are patterned after early ’90s US death metal, although they’re just a couple levels rawer and noisier than the aforementioned. Something like “Dark Heresies” even blasts monomaniacally enough that it flirts with that whole slam-death bullshit, but never entirely sinks to that level. They almost gain back those lost points with the short but super-crazy noise-solo section of “Isolated.” Even if this was a somewhat enjoyable, interesting listen while it lasted, ultimately this is a totally non-mandatory, dispensable death metal split tape.
— Friar Wagner

SKULL270

HIGHGATE, Black Frost FalloutĀ  (2009, They Used Dark Forces)

The skull:
Can’t help but think of Carcass’ Tools of the Trade EP when looking at this cover. But this image is starker: a skull in the middle surrounded by, uh, 2 x 4s, or wood-chopping wedges, or some sort of spike, or who knows what. It’s like a bleak industrial rendition of a sunflower. Like a sunflower planted in ash that only grows at night and is watered with piss. And since “black frost fallout” sounds like something related to “nuclear winter,” I’m starting to get the picture: these guys probably don’t sound like Edguy.

The music:
Highgate definitely does not sound like Edguy. Theirs is a labored, dry, harrowing brand of sludge (with black metal elements) that isn’t at all appealing, but probably isn’t meant to be. It’s ugly music for when you want exactly that, and it’s no fun at all. It’s also rather dull; making it through even the first five minutes of this compilation was a chore, but a friar does what a friar’s gotta do. Even when they bust out into black metal-esque speed (and vocals), as on “The Wolf,” it’s like Eyehategod playing Ildjarn songs. Not good. They really need to do something about this guitar sound too. It’s so tight, compact and dry, they lose all heaviness, or unearthliness, or any other sort of vibe they might have been going for.
— Friar Wagner