Tag Archives: missing teeth

SKULL33

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RUNEMAGICK / LORD BELIAL, Doomed by Death (2002, Aftermath)

The skull:
Including File > New, this cover could be made in Photoshop in five steps. File > New, gradient fill, paste skull, set layer blending options, insert text. If this took more than 15 minutes to create, it’s because the guy in one of the bands who made it had to download a cracked version of Adobe Creative Suite first. It could only have taken longer if the jawless skull had to be cut out of the cover to the Lunatics Without Skateboards, Inc. album. Which would be awesome.

The music:
I had never heard Runemagick before, and I’m not sure the track I listened to is actually from this split, but it’s the same song at least, and it’s not half bad! A sort of Candlemassy doom with death vocals and some interesting textural clean guitars. Color me surprised! Lord Belial I hadn’t heard since the late 90s, and I definitely didn’t care for them then, although a good friend of mine has a weakness for their debut album, which is pink. Again, I can’t be sure if the track I’ve heard is from this split (there are several versions of the song on YouTube, but none indicate this split as the provenance), and as with Runemagick, I’m pleasantly surprised at how listenable it is. From the cover, I expected this to be the worst sort of shit, but this is pretty well composed, mid-paced black metal, heavy on the atmospherics, with some great riffs and a really good solo. Sure, this sounds like dozens of other Swedish bands, and this style is not exactly in my wheelhouse, but I was hardly in a hurry for it to end. Both tracks are well produced (again, assuming I’m listening to the right ones) and good enough to make me think I should dig a little deeper into these bands’ discographies. The power of the skull works in mysterious ways!
— Friar Johnsen

SKULL16

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BLACK ANVIL, Time Insults the Mind (2008, Relapse)

The skull:
Rendered simply in the style of a woodcutting, the skull is properly front-and-center, huge, and stupid (although perhaps not literally: this extra-fat skull must have housed an extra-large brain.) Bonus points for the hourglass (a side obsession of both Friars) on its pate. Additional credit must be given for allowing the skull to cover the logo in places. Black Anvil are clearly a band who take their skulls very seriously.

The music:
Formed by a trio of hardcore veterans from NYC, Black Anvil offer a crusty, blackened update on Venom. As might be expected, they fail somewhat in capturing the absolutely punishing attack of their live performances on disc, but this EP is still a solid and enjoyable listen, and a good warmup to their even better full length debut.
– Friar Johnsen

SKULL13

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SKULL, Beer, Metal, Spikes (2005, Utterly Somber Creations)

The skull:
One could assume these Colombians were presaging a Big Dumb Skull website one day, naming themselves accordingly and slapping an utterly somber skullirific skull on their tape cover, just for us! And for the bonus glory! How kind. 1000% 10-out-of-10 A++ awesomeness here, from the band name to the plain ol’ big dumb skull on the cover. ‘Nuff said!

The music:
Spinal Tap attempting to play Venom covers? Man, this is rough, but if you like early Vulcano and early Sodom, you might get something out of this primitiveness. The questionable English skills add an element of unintentional comedy: “Demential Force,” “Thrasher (or What?).” (It’s way better than my Spanish, I’ll admit.) Harmless and kind of enjoyable, but ultimately more fun to look at than listen to.